Ismene And Haimon of Sophocles Antigone :: Antigone essays

Antigone Ismene And Haimon                    Antigone, the character, is a tragic hero because we bursting charge about her. Ismene and Haimon help us care about Antigone by making her feel worthy of loving. And with out this her intent to steep her brother seems irrelevant to the reader because we can care slight about her. Ismene, although weak and timid, is in the story to illustrate that Antigone is capable of being loved. We are only women, We cannot fight with men, Antigone (Sophocles 881). Another reason Ismene is incorporated to Antigone is to come on exactly strong-willed Antigone is. Haimon is there to show that Antigone has a life and a future outside her purpose. What else Haimon brings to the story is he makes Creon look like a fool, but more importantly he validates Antigones cause. So without Antigone having to live for she would start out nothing to lose, therefore, her death would not be tragic. The prologue juxtaposes the differences in character betwixt Antigone and Ismene. Ismene works of what is sensible, while Antigone uses more emotion. Antigone He is my brother. And he is your brother, too. (Talking about hide Polyneices). Ismene But think of the danger Think what Creon will do (Sophocles 881). In this part of the play we really see how strong Antigone is by witnessing moreover how feeble Ismene is. Another example of this is when Antigone is dialogueing to Ismene saying she is going to bury Polyneices no matter what. Ismene replies that you cant. Antigone then says well I will until my military capability gives out (Sophocles 882). Not only is Ismene weak but it she is also a law a biding citizen. In scene two Ismene shows the viewers that she is soundless weak, but also that Antigone is a hero because heroes must be loved. And this is where we set that at least one person does. But how could I go on living without her (Sophocles 892)? Here the view er also finds out that Ismene has considerably intention toward her sister, its just hard for her to show them. Likewise in the origin of scene three Haimon will not do anything to hurt his fuck off Creon. I am your son, father. You are my guide. You make things clear for me, and I adapt you (Sophocles 893). This quickly changes though. Haimon now is fed up with all the bad talk about Antigone and is also in a way speaking for the people.