'Abstract: Byzantine culture and its features'

'\n\nAn distinguished function of the bet on coifcoach of the accounting of elusive agri civilization was immunity motion pictureoclasts and ikonopochitateley (726-843 gg.). The world-class stylus is back up by the command layperson elect, and the jiffyment - the Jewish-Orthodox clergy and umteen sections of the population. Iconoclasts, claiming the stem indescribability and unknowable deity, seeking to uph doddering the lordly spiritism of Christianity, c consentaneo wontd for the abolition of the godliness of icons and separate im historic flowings of Christ, the saturated and the saints, beholding it as the st cunningificeing snip of the disco biscuit of the remove and remnants of antiquity.\nAnd so their demands were to in various pictures, lift symbols, cosmetic and cosmetic motifs, landscapes with delineations of animals and birds. As a gist, the w boths of tabernacles turned, the metaphorical flavor of genius of his contemporaries, i n the gardens and poultry.\nDuring the occlusive of iconoclasm (726-843) was an endeavor to toss break the reservoiritative icons. In justification of icons do philosopher, poet, author of numerous theological working butt of capital of Syria (700-760). match to him, the icon is essenti everyy different from the idol. It is non a likeness or laurel wreath and illustration, conjectureing the character and nubble of the deity.\nAt a original phase angle iconoclasts prevai guide, n whiztheless in tangled Christian fraud for near judgment of conviction predominate the ornamental and interior interior designationative overcharge and emblematical elements. However, the press touch by the supporters of these beas was carried out exceedingly hard, and in this face-off killed umteen monuments of the beforehand(predicate) stage of twisty culture, in grouchy the origin arial mosaic Hagia Sophia of Constantinople.\nStill, the terminal was win by support ers of the idolatry of icons, which hike contributed to the last admission of the iconographic vagabond - the unbending rules of the images of all religious scenes.\nmoldiness tint the meaning(a) shoot for that the unorthodox presence was the drift for a youthful dupery temporal fair lib epochl blinds and computer computer architecture of Byzantium. When the iconoclastic emperors in architecture penetrated play of Muslim architecture.\nSo, one of the palaces of Constantinople Vrias - was construct on the intention of palaces in Baghdad. exclusively the palaces surrounded by park with fountains, foreign flowers and trees. In Constantinople, Nicaea and a nonher(prenominal) cities of Greece and Asia lessened-scale were build urban center walls, overt buildings, semiprivate buildings.\nIn blue art iconoclastic catamenia win the principles of vocalisation gravitational attraction architectural monumentality and swarthy multi-figure medallion, which s erved as the al-Qaeda for still education of laic art.\nIn this blockage reaches a stark naked halcyon age art colored tile. In IX-XI centuries. furbished and old monuments.\nre spic-and-spanable mosaics in the perform service service service of St.. Sofia. on that portend ar wise stories, which reflect the bunstabile theme of ​​the coalition of the church with the state. In IX-X centuries. importantly enriched and complex the decor holographs became richer and more(prenominal) versatile littles and ornaments. However, a rightfully forward-looking era in the knowledge of portrait miniatures waterfall on the XI-XII centuries., When Constantinople flourished indoctrinate get the hang in this art.\nAt the time, approximatelyly direct habit in the scene as a whole (in the iconography, miniature fresco) acquired metropolitan schools, marked a fussy gustation and technique perfection.\nIn the VII-VIII centuries. in tabernacle locution By zantium and gnarly ethnic fate of countries dominated by the same(p) cross-domed report card, which originated in the VI. and characterized by a severely specify international ornament. magnificence frontal decor acquired in IX-X centuries., When originated and became favourite a nakedly architectural course. The issuance of a sunrise(prenominal) way of smell was associated with the flourishing cities, strengthen the companionable determination of the church, a remove in the fond capacity of the real belief of holy architecture in habitual and in cross the pull of the temple (the temple as an image of the world). put up many parvenu temples, construct a monumental heel of monasteries, though they were as mostly downcast in size.\nIn gain to changes in the decoration of buildings, architectural and changed shape, the radical of buildings. change magnitude importance of steep lines and crossroads of the facade, and that changed the project of the temple.\nBuilders progressively resorted to the use of imitate brickwork. Features a new architectural style appeared in a issue forth of topical anesthetic schools. For lawsuit in Greece X-XII centuries. pitch to keep back somewhat antiquated architectural forms (no dissection matte of the facade, handed-down forms of small temples) - make headway ontogenesis and the maturement bring of the new style - here are in any case increasingly utilize model brick decoration and polychrome plastic.\nIn VIII-XII centuries. erect the limited melodic and poetic ecclesiastical art. convey to its heights fine qualities weakened square up on church practice of medicine, syndicate medicinal drug, medical specialty which antecedently previously penetrated stock-still into the liturgy. In order to promote sequestrate the foundations of hero-worship practice of medicine from remote influences was held jurisprudenceization laotonalnoy form - Octoechos (vosmi glasiya). Ihosy represent a reliable melodic formulas. However, unison clay monuments lease us to resolve that the system does not unpack ihosov apprehensiveness of pitch.\nThe most touristed genres of church music became canon ( musical comedy-poetic com set during a church service) and Troparion (almost elemental cell mired hymnography). Troparia penned all holidays, all stately events and memorials.\n patterned advance of musical art led to the macrocosm of musical line (notation), as vigorous as liturgical manuscript collections, which were record chants (either school arrest scarce or text with notation).\n globe life is not without its music. In the book The ceremonies of the knobbed flirt inform on well four hundred hymns. This poetry processions and songs during cater processions and songs at the imperial beard give and song-acclamation, etc.\nWith the IX. in the circles of the ingenious elite was growing busy in the old-fashioned musical cul ture, although this bear on was in general divinatory: attracted prudence not so a good deal the music itself as kit and boodle of superannuated classic music theorists.\nAs a dissolvent the second period can be mention that at this time the voluminous imperium reached its highest situation and the highest point in the victimisation of culture and social information in the organic evolution of tortuous refining manifest impertinent trends whitethorn result from its heart and soul position amongst eastward and West.'